MADE FOR LOVE on HBOMax is the best show you may have missed this summer.
Here’s the story from IMDB: a young woman, on the run after 10 years in a suffocating marriage to a tech billionaire, suddenly realizes that her husband has implanted a revolutionary monitoring device in her brain that allows him to track her every move. The comedy series is a darkly absurd and cynically poignant story of love and divorce.
The HBO Max show is co-created by Alissa Nutting, author of the 2017 novel of the same name, but let me tell you, the show and the book are very different! Or the characters are the same, but the plot is perfectly tailored for TV.
NO SPOILERS in this review.
I’m going to focus on the show, which I deeply loved. It’s not really a secret that we love love on Pop Fiction Women, and this was my personal favorite flavor, that thin line between love and hate. We meet Hazel, played by the captivating Cristin Milioti (did you see the movie Palm Springs?), and Byron (played by Billy Magnussen, who I am ashamed to say I find so appealing in this show) — we meet them at a low point. He’s implanted a chip in her head, not because he’s evil, but because he wants to avoid miscommunication with the wife he adores. She is not happy about this, or anything, really, that has developed since Byron rescued Hazel from her dismal life of living in a trailer and missing her deceased mother.
Here’s what works: the exploration of marriage and the decision to divorce (or not). We get to see this couple meet and fall in love in flashback, we see the facade they keep up before the relationship breaks, and we see the awful things they do to each other to push each other away, and we see them stumble towards what might be next. The push/pull dynamic is incredibly relatable, even if their circumstances aren’t.
I don’t want to give too much away, but the epigraph at the beginning of the book fits perfectly: “The goals we pursue are always veiled. A girl who longs for marriage longs for something she knows nothing about. The boy who hankers after fame has no idea what fame is. The thing that gives our every move its meaning is always totally unknown to us.”
Here’s what also works: Ray Romano’s character as the town pervert and a shitty father. His sex doll “girlfriend”, whom he is fully committed to, feels slightly recycled from Lars and the Real Girl, but it works, particularly as his relationship damage is revealed. His role as a shitty father is hard to watch, especially when Hazel calls him out and he refuses to change, but it’s also honest and realistic. In real life most people get defensive when they are called out, they don’t plan a huge life change and write a big speech to win their slighted beloved back again. But they totally should. That’s why we love fiction.
Here’s what doesn’t work: there are two episodes (one and a half really) towards the middle/end that get a little slow. They lose the pulse of what really works: exploring the relationships that form us. Luckily they really get back on track to conclude the season.A treat that’s different from the book: the character of Fiffany (Noma Dumezweni) and the addition of Judiff (Kym Whitley). These characters are not connected in the show, and it’s never explained why names with T are replaced with F but I’m hoping the writers have planted seeds in our minds for a reveal in the second season (fingers crossed).
DON’T skip it if: you’re not a sci-fi fan. I am not, and I loved this show. The same way Wandavision isn’t just for Marvel fans, this show is not steeped in science fiction. The hook is about the extent of it.
DO skip it if: you are particularly unsympathetic towards a) people who misguidedly control things they love (Byron is controlling), and/or b) people who run away from problems they can’t confront (Hazel’s MO).
This is a STRONG RECOMMEND from me. And the show has been picked up for Season 2!
I’m fascinated to hear how she was involved in changing so much of her own story. Other adaptations that drastically depart from the source material (I’m thinking Little Fires, Handmaid’s Tale, Big Little Lies) have not included the creator in the development and the writers’ room. Does she prefer her book or the TV show? I have so many questions.