hulu – Pop Fiction Women

We build these cages around ourselves because we have to do it. We need shelter. We need basic structure and security. Cages are necessary and good. But this is the gut-punch of life: those cages can become overgrown. Overgrown with resentment, with unexpressed disappointments, with repressed dreams, with opportunities never even entertained. Material manifestations of emotional waste.

Life’s choices are often binary. We take the job or we don’t. We leave the marriage or we don’t. We have kids or we don’t. It’s not the result that can alter our lives. Instead the real power comes in making those choices honestly and openly. I’m afraid this is the part people miss. The value of the process.

It doesn’t really matter if you stay or go, if you do or don’t. It matters whether you are willing to get really still to think about it. It matters whether you are willing to be painfully honest about the good and the bad sides of both options. It matters that you SAY IT ALL. Out loud. To another human being. Instead we believe we weigh it in our mind. We think we already know.

My mother would be so disappointed

I don’t have a right to walk away

My sister needs me to be this way

My kids will be ruined

My family will suffer with less

My life is good

So many people would want the things I have

This is what I wanted (ok, but what do you want now?)

It’s overwhelming, I know. We can start by exploring the sometimes subtle differences between suffocation and dissatisfaction. One can be cured with a massive gulp of fresh air and gratitude. The other is holding you back. It is causing long-term damage. If you are dissatisfied, smaller changes can make a big difference. If you are suffocating, out is the only way. There is no security in a house that’s burning down.

Don’t stay out of fear of what’s outside.

Don’t run away either.

Just because you can see the door doesn’t mean you should bolt without looking back.

I’ve been in the place where it feels horrible. Where you all of a sudden know that your life is going to be completely different when you walk out that door. But I left, and I survived and I made myself a promise. I would never get there again. So everything that makes me comfortable? I periodically dismantle it. I take my life apart to inspect it for cracks and leaks. I make sure it’s all still working. And as I reassemble it, I look at each piece and say do I still need this?

I choose my life. I choose my husband all the time. I choose my job all the time. I choose my kids all the time — I look at them and say what can I do to help them become this or that, and I look at myself and say how can I accept them more exactly as they are?

This work is not for the faint of heart. To say it can be really really hard is an understatement. But when I broke free of the expectations that set me on auto-pilot, I vowed to build a life, and to break it down.

This is my reward for all those hard times: I will never, ever, ever be in a cage.

And freedom is more beautiful and exhilarating and gratifying than all of that pain.

I know not everybody gets a new life. It takes courage to start over again. It takes time to make it feel worth it. Not everyone even finds the door. But if you see it, and you can promise you will build it up, break it down, build it up, then you deserve to try.

But am I the cage or am I the bird?

In the cage it feels like everything is broken and everything needs to be fixed. Even things that truly aren’t broken, but maybe are simply mid-assembly. In the cage, doing this work sounds exhausting and horrible. Once you are free you realize that so many times NOTHING needs to be fixed. You only need to take it all apart to see that you are not the cage, even though you may have come to identify with it so much that you can’t see the bars. You are not the cage. You are the bird.

“You can fly away too, that’s on you.”

*That last line in quotations is from the Ingrid Michaelson song, Build It Up, which was written for the finale of Little Fires Everywhere on Hulu. The themes in this essay were inspired by that episode, and Kate and I explore them on our recap episode, but you don’t have to have watched or listened to relate to these ideas.

It’s been weeks since Kate and I recorded our Little Fires Everywhere episode, and it’s one I can’t stop turning over in my mind. Actually, “turning over” is the wrong phrase to describe it. Thoughts of that episode pierce my thoughts, swirl around my mind like a hurricane, cloud my brain like steam from a laundromat vent.

Specifically, these disruptive thoughts revolve around our conversation about the Little Fires Love Triangle of Pearl, Moody and Trip.

Kate wondered if Pearl and Trip were keeping the intimate relationship a secret because Trip was ashamed of having sex with Pearl. Kate seemed to suggest that Pearl would have no reason to want to keep it a secret. Or she might even want people to know, because Trip is a catch. But she was mainly focused on the hardest gray area — that because the result of them wanting to keep the relationship a secret, that the lying that came from it was unequivocally wrong no matter the reasons behind it.

In our debate, Kate was firmly #teamMoody (over #teamTrip) but I saw it differently. I was all in for #teamPearl. I saw her agency and I understood the unstated rationale behind her actions. I vehemently defended Pearl’s right to keep the secret with Trip, even if it meant lying to Moody.

But my defense didn’t sit well with me, like a raspberry seed in between two molars. So I spent time unpacking why we — or really, I — had relationships or encounters that I wanted kept secret. Well, there’s probably too many reasons to mention, but the ones I want to explore deeply come around what it means to be a high school girl.

Is there anything wrong with a young girl (Pearl is 15, a sophomore in high school) wanting intimate experience? Kate and I would agree that there isn’t, but in reality society is uncomfortable with a young girl exploring her growing sexuality. And that begins at puberty, an age which terrifies people.

Is there anything wrong with a young girl wanting intimate experience without telling everyone?

Of course I would say no, right? That’s what I said about Pearl in our Little Fires episode. And I said that because I have kept secrets without there being any internal shame. I wasn’t embarrassed about what I was doing, and neither was my partner.

A girl with instincts, openness and interest in intimacy, should be allowed to safely and wisely explore those feelings. But doing it in the open? That’s so much more complicated. I don’t think I realized how much shame was coming from the outside — that I’d learned that it was easier, and had better results, if I kept it a secret. That’s how to avoid what I called high school, but is now referred to as “slut shaming.”

Here was a high school scenario for me: I hook up with a guy — at a party, after school, in private. It is assumed we have sex, because why else would you be discreet about it? What other reason do you go “find a room”? If you lock yourself in the bathroom, it’s because you’re having sex. If you meet up with no one around and don’t tell anyone, it’s because you’re having sex.

It seems a high school girl can’t do anything besides make-out in front of a crowd and have sex.

That’s because there’s very little articulated in between. Not in movies, TV shows, even on social media where there are tons of overt and cliched “sexy” pictures with no reference to what one might do with that sexiness, or how it might feel. No mention of touching breasts, of finding erogenous zones around ears or behind knees, of skin to skin, of writhing around with your clothes on (the health class 101 “dry humping” thanks for the reminder, Lady Bird). These were all such normal parts of my high school experiences, but they are rarely portrayed or discussed. I wonder if it’s because adults lose sight of these “in between” phases or whether it’s because in high school not everyone feels free to explore them. I understand why.

I did explore these feelings and as a result was on more than one occasion excluded from parties, the focus of some nasty gossip, the target of hurled insults. One night, our school did a charity “fashion show” and I wore the borrowed dress of an upperclassman. First of all, I had been specifically forbidden to wear anything she donated for the show because she thought I was a slut. I did it anyway, and she confronted me, made a huge scene about it. Apparently, now the dress was ruined because it had touched my disgusting used body. I was a fifteen year old virgin.

Thankfully, this is where I really developed my “give zero f*cks” muscle. I had no choice but to learn how to move forward with labels like slut and tease (yes, both). Part of the lesson I learned was not caring about what other people said about me. But also, part of the lesson was learning to keep things a secret. All secrets require lying.

I suppose there will still be people who say instead of lying I should have changed my behavior. What I wished I could have changed was other people’s interest in the things I did in private. But I couldn’t. And not exploring physical intimacy felt more wrong than lying to protect myself.

It was in those encounters that I learned what felt good to me and what didn’t feel good. In fact, I learned how to FEEL good, and I learned it in a way that didn’t come from how I looked or how I acted. In intimate acts I was trying to please no one but myself. I learned to direct my partners. I learned to be fully in my body. I learned to let go.

I also learned how to say no. I learned to say stop. To say stop for now, to say stop forever, to say stop for today, even if another day we went farther. To the same extent that I wasn’t trusted and believed outside of intimacy, my partners were the opposite. They respected my word and accepted it. Some people might be able to get all those experiences with one partner. I’m okay if you call me a slow learner. It’s better than the alternatives.

But this WAS about Pearl, Moody and Trip. And I still have questions.

How much do you think Pearl was motivated to keep the secret knowing that other girls in school would call her a slut or a gold digger or a social climber?

Does Moody deserve the truth in a way that would force Pearl to tell him about the relationship against her desire? If Pearl felt she could not break the secret of her intimate relationship with Trip, should she have ended her friendship with Moody rather than lie about her whereabouts when she was with Trip? Should she have told and suffered the consequences? What if the consequences were cruel or unfair retaliation?

As the premiere of the TV adaptation of Little Fires Everywhere approaches, I am nervous about how this love triangle will be portrayed. I desperately hope they will give Pearl even more agency and empowerment rather than stepping into cliches and out-dated tropes.